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A video document from London Fieldworks' Automatic Cinema workshop hosted by the Centre for Digital Storymaking at London South Bank University, June 2018, working towards proof of concept, linking performance, robotics and machine learning as part of an automated filmmaking proposition. The algorithmic editing aspect is based on Jørgen Leth's film The Perfect Human (1967), which has inspired one of the aims to fabricate a poetic narrative from a machinic reading of human movement. The Research & Development has been supported by Arts Council England. Made in collaboration with The Robotics Centre, London South Bank University. Software: Jonny Bradley / performer: Euan Buddie. More: https://londonfieldworks.com/Project-280-Automatic-Cinema